Thursday Aug 10, 2023
Sarah Kirkland Snider: Craft, Sincerity, and Gender Perceptions in Classical Music
Sarah Kirkland Snider joins Jocelyn on the inaugural episode of the Compose Like a Girl Podcast to talk about craft, sincerity, and gender perceptions in classical music. Hear the full, unedited conversation by becoming a Patreon subscriber.
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References/For More Information:
Sarah Kirkland Snider https://www.sarahkirklandsnider.com/
Penelope- https://www.sarahkirklandsnider.com/albums/penelope
Mass for the Endangered - https://www.wisemusicclassical.com/work/58208/Mass-for-the-Endangered--Sarah-Kirkland-Snider/
Unremembered - https://www.sarahkirklandsnider.com/albums/unremembered
New Amsterdam Records (Judd Greenstein and Bill Brittelle) - https://www.newamrecords.com/
Cantaloupe Music - https://cantaloupemusic.com/
Yale University - https://music.yale.edu/
St. Olaf College - Anton Armstrong - https://wp.stolaf.edu/choir/history/conductor/
Trinity Wall Street - https://trinitywallstreet.org/
Fargo-Moorhead Symphony - https://www.fmsymphony.org/
Kansas City Lyric Opera - https://kcopera.org/
Gallicantus, conducted by Gabriel Crouch- https://www.gallicantus.com/gabriel-crouch
Annie Rosen - http://www.annierosenmezzo.com/
Nathaniel Bellows - https://www.nathanielbellows.com/
David Lang - https://davidlangmusic.com/about/
Shara Nova - https://shara-nova.com/
My Brightest Diamond (Shara Nova) - https://www.mybrightestdiamond.com/
Ethel Smyth - https://www.ethelsmyth.org/
Deborah Johnson, also known as Candy Stations - https://www.candystations.com/
Candy Floss article - New Music Box: https://newmusicusa.org/nmbx/candy-floss-and-merry-go-rounds-female-composers-gendered-language-and-emotion/
Article on Jeanine Tesori and Missy Mazzoli at The Metropolitan Opera: https://playbill.com/article/metropolitan-opera-to-present-new-works-by-jeanine-tesori-and-missy-mazzoli
NY times article on works by women being performed more: https://www.nytimes.com/2022/06/21/arts/music/american-orchestras-women-minorities.html
Mass for the Endangered Q&A:
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